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Showing posts with label giveaway. Show all posts
Showing posts with label giveaway. Show all posts

Tuesday, December 18, 2012

Giveaway: Into the Darkest Corner by Elizabeth Haynes

Morning, all! I have a special giveaway post today! Elizabeth Haynes's to die for debut, Into the Darkest Corner, is due out in paperback Jan 2 and I have a copy up for grabs -- along with a postcard from the author!

I reviewed this one back in May as part of the TLC book tour. You can read that here. Not only was this one of my favorite books of the year, it made my Top Ten Shortlist!

To enter, simply leave a comment here (with your email address so I can get in touch with the winner) before midnight, December 30. I'll pick a winner on Dec 31. (US/Canada only)

Good luck!

Tuesday, November 13, 2012

Giveaway -- The Walking Dead: Rise of the Governor and Road to Woodbury





















Fabulous news, Walking Dead fans. Thanks to the folks at Wunderkind and Thomas Dunne, I'm hosting a Walking Dead giveaway!

One lucky winner will get one copy of each of the new Walking Dead novels: The Rise of the Governor and The Road to Woodbury by Robert Kirkman and Jay Bonansinga. Giveaway dets are at the bottom of this post.

These are the first two in a three book series. Here's more info from the publisher's page:

From the mind of Robert Kirkman, the legendary comic book auteur and creator of The Walking Dead, comes a new series of all-original novels steeped in the terrifying mythos of the Eisner Award winning comic.  Co-written with bestselling novelist and Stoker Award finalist Jay Bonansinga, the books thrust readers right into the middle of the greatest zombie apocalypse epic ever told.  

The first volume, THE WALKING DEAD: RISE OF THE GOVERNOR, explores the heart-wrenching and horrifying origin of the comic world’s most infamous villain: Philip Blake, AKA The Governor.  Following Blake and his ragtag band of survivors as they carve out a terrifying path through infested subdivisions and rotting cities, RISE OF THE GOVERNOR is a fever dream of a road trip that explores the making of a super-villain, culminating in a mind-bending twist-ending.

The second volume in the series, THE WALKING DEAD: THE ROAD TO WOODBURY, (nearing completion at press time) delves even deeper into the dark heart of the Governor, taking readers through the fractured looking glass of a small town turned into a deadly dictatorship. As seen through the eyes of a troubled bystander, Lilly Caul, this rotting utopia crumbles under the weight of its own excesses and lurid pastimes...

And, to give you a little taste, I've got a bit of an excerpt here for you as well:


ONE

No one in the clearing hears the biters coming through the high trees.
The metallic ringing noises of tent stakes going into the cold, stubborn Georgia clay drown the distant footsteps— the intruders still a good five hundred yards off in the shadows of neighboring pines. No one hears the twigs snapping under the north wind, or the telltale guttural moaning noises, as faint as loons behind the treetops. No one detects the trace odors of putrid meat and black mold marinating in feces. The tang of autumn wood smoke and rotting fruit on the midafternoon breeze masks the smell of the walking dead.
In fact, for quite a while, not a single one of the settlers in the burgeoning encampment registers any imminent danger whatsoever—most of the survivors now busily heaving up support beams hewn from found objects such as railroad ties, telephone poles, and rusty lengths of rebar.
“Pathetic . . . look at me,” the slender young woman in the ponytail comments with an exasperated groan, crouching awkwardly by a square of paint- spattered tent canvas folded on the ground over by the northwest corner of the lot. She shivers in her bulky Georgia Tech sweatshirt, antique jewelry, and ripped jeans. Ruddy and freckled, with long, deep-brown hair that dangles in tendrils wound with delicate little feathers, Lilly Caul is a bundle of nervous tics, from the constant yanking of stray wisps of hair back behind her ears to the compulsive gnawing of fingernails. Now, with her small hand she clutches the hammer tighter and repeatedly whacks at the metal stake, grazing the head as if the thing is greased.
“It’s okay, Lilly, just relax,” the big man says, looking on from behind her.
“A two- year- old could do this.”
“Stop beating yourself up.”
“It’s not me I want to beat up.” She pounds some more, twohanding the hammer. The stake goes nowhere. “It’s this stupid stake.”
“You’re choked up too high on the hammer.”
“I’m what?”
“Move your hand more toward the end of the handle, let the tool do the work.”
More pounding.
The stake jumps off hard ground, goes flying, and lands ten feet away.
“Damn it! Damn it!” Lilly hits the ground with the hammer, looks down and exhales.
“You’re doing fine, babygirl, lemme show you.”
The big man moves in next to her, kneels, and starts to gently take the hammer from her. Lilly recoils, refusing to hand over the implement. “Give me a second, okay? I can handle this, I can,” she insists, her narrow shoulders tensing under the sweatshirt.
She grabs another stake and starts again, tapping the metal crown tentatively. The ground resists, as tough as cement. It’s been a cold October so far, and the fallow fields south of Atlanta have hardened. Not that this is a bad thing. The tough clay is also porous and dry—for the moment at least—hence the decision to pitch camp here. Winter’s coming, and this contingent has been regrouping here for over a week, settling in, recharging, rethinking their futures—if indeed they have any futures.
“You kinda just let the head fall on it,” the burly African-American demonstrates next to her, making swinging motions with his enormous arm. His huge hands look as though they could cover her entire head. “Use gravity and the weight of the hammer.”
It takes a great deal of conscious effort for Lilly not to stare at the black man’s arm as it pistons up and down. Even crouching in his sleeveless denim shirt and ratty down vest, Josh Lee Hamilton cuts an imposing figure. Built like an NFL tackle, with monolithic shoulders, enormous tree-trunk thighs, and thick neck, he still manages to carry himself quite gently. His sad, long-lashed eyes and his deferential brow, which perpetually creases the front of his balding pate, give off an air of unexpected tenderness. “No big deal . . . see?” He shows her again and his tattooed bicep—as big as a pig’s belly—jumps as he wields the imaginary hammer. “See what I’m sayin’?”
Lilly discreetly looks away from Josh’s rippling arm. She feels a faint frisson of guilt every time she notices his muscles, his tapered back, his broad shoulders. Despite the amount of time they have been spending together in this hell- on- earth some Georgians are calling “the Turn,” Lilly has scrupulously avoided crossing any intimate boundaries with Josh. Best to keep it platonic, brother-and-sister, best buds, nothing more. Best to keep it strictly business . . . especially in the midst of this plague.
But that has not stopped Lilly from giving the big man coy little sidelong grins when he calls her “girlfriend” or “babydoll” . . . or making sure he gets a glimpse of the Chinese character tattooed above Lilly’s tailbone at night when she’s settling into her sleeping bag. Is she leading him on? Is she manipulating him for protection? The rhetorical questions remain unanswered.
For Lilly the embers of fear constantly smoldering in her gut have cauterized all ethical issues and nuances of social behavior. In fact, fear has dogged her off and on for most her life—she developed an ulcer in high school, and had to be on antianxiety meds during her aborted tenure at Georgia Tech—but now it simmers constantly inside her. The fear poisons her sleep, clouds her thoughts, presses in on her heart. The fear makes her do things.
She seizes the hammer so tightly now it makes the veins twitch in her wrist.
“It’s not rocket science ferchrissake!” she barks, and finally gets control of the hammer and drives a stake into the ground through sheer rage. She grabs another stake. She moves to the opposite corner of the canvas, and then wills the metal bit straight through the fabric and into the ground by pounding madly, wildly, missing as many blows as she connects. Sweat breaks out on her neck and brow. She pounds and pounds. She loses herself for a moment.
At last she pauses, exhausted, breathing hard, greasy with perspiration.
“Okay . . . that’s one way to do it,” Josh says softly, rising to his feet, a smirk on his chiseled brown face as he regards the half-dozen stakes pinning the canvas to the ground. Lilly says nothing.
The zombies, coming undetected through the trees to the north, are now less than five minutes away. 

Now the part you've been waiting for, the giveaway dets. All you have to do to throw your name in the hat is leave me a comment here before midnight November 26. That's it. US/Canada only please. And don't forget to include your email addy so I can get in touch with you if you win. I'll draw a name randomly on Tuesday, November 27 and announce the winner here as well as notifying them personally. 

Good luck!

Monday, October 29, 2012

Ironskin by Tina Connolly + a Giveaway

Good morning, readers! I'm part of the TLC tour for Tina Connolly's Ironskin today. Be sure to read all the way to the bottom if you're interested in winning a copy of this fantastic book for your very own TBR pile!

In the five years since the end of The Great War, Jane Eliot has grown used to the iron mask she must wear to cover her fey cursed scars. A teacher and governess by training, Jane has excelled in many positions but has always found that her scars and her mask have been held against her in the end. But then a certain advert for a governess catches Jane's eye and she knows the position will be perfect. The job specifies a child born during the war, one with a delicate situation. Even Jane is unprepared for the extent of said situation, though. Jane is determined she succeed, though, especially upon hearing how all the other governesses have abandoned the child in the past. It also helps that the girl's father, Edward Rochart, appeals to Jane in a way she's never experienced. 

Tina Connolly's debut is an inventive twist on Jane Eyre. The Great War is one with the Fey, and they are wicked in a way that I've not seen in most books. Yes, they're tricksters, but Connolly's Fey have declared war on humankind. They're weapons, Fey bombs, leave survivors like Jane afflicted with a curse -- emotions that they can't control themselves and are forced on those around them -- leaving them not only physically scarred but shunned in society. The only way to "cure" the person is to bind the cursed and scarred area in iron.

Like I said, inventive!

Like the classic Jane, Connolly's version is also headstrong and smart. She's one of my all-time favorite heroines and I really love seeing her pop up in so many books, either in new interpretations or simply in inspiration. Connolly does her justice here in Ironskin but has definitely made her version of Jane her own. 

I also love that Ironskin is essentially an alternate version of a somewhat Jane era England, barring the fey technology that is. Even down to slight twists on Shakespeare's classics that earn mention in a couple of places in the book. It's a fun blend of historical fiction and fantasy that I think will appeal greatly to readers comfortable with either genre.

To see what others thought, visit the official TLC tour page here.

For more on Connolly and her work, visit her official website here. You can also follow here on Twitter.

And now for the giveaway! Thanks to TLC and the publisher, I've got one copy up for grabs (US/Canada only please). Just leave me a comment here before midnight, November 11. Include your email (so I can get in touch if you're the winner). I'll draw a name and announce the winner on Monday, November 12. 

Good luck!



Tuesday, June 5, 2012

Armchair BEA: Giveaway & Best of 2012

Hello, Armchair BEA-ers! It's day two and the topic is giveaways and best of 2012 -- faves and BEA titles that'll hopefully become faves.

It's been a great 2012 so far in terms of books and I know there are some BIG, BIG titles still to come. So far, some of my favorites include:

The Rook by Daniel O'Malley -- a paranormal mystery of sorts that's a great blend of funny and weird sci-fi elements mixed in with a great mystery plot.

Pure by Julianna Baggott -- this one is a post-apocalyptic, dystopian being cross marketed for teen and adult markets, and rightly so! I loved it. So bleak and dark and utterly unique.

The Man From Primrose Lane by James Renner -- another cross-genre mystery/sci-fi read. Excellent plotting and unputdownable. I would love for every thriller fan out there to read and adore this book!

Cinder by Marissa Meyer -- so much fun! A cyborg Cinderella, futuristic YA read. A wonderfully creative twist on the classic fairy tale.

White Horse by Alex Adams -- another post-apocalyptic/post-outbreak read. Alex Adams's writing completely blew me away. Dark and gory but also elegant and amazing!

Killing Ghost by Christopher Ransom -- this one's a cheat. I actually read this one last year when it was only available in the UK as The Haunting of James Hastings. I loved it! Ransom's twist on the classic ghost story is chilling, to say the least. This is the US reprint from Cemetery Dance that's new out this year.

Now for the giveaway -- readers' choice from the titles listed above! I will order a copy of one of the titles listed above for one lucky winner (winner's choice). All you've got to do is leave me a comment here before midnight, June 17. Please include your email addy so I can get in touch with you if you win. Contest is open wherever Book Depository will ship. (Two things -- The Rook is unfortunately off the table for international giveaway as BD appears not to have it in stock, and I may have a special surprise if the winner is US and chooses Ransom.)

As for the upcoming 2012 releases, I would say the biggest BEA promoted book I'm anticipating this year is Justin Cronin's The Twelve. I zipped through The Passage and have been anxiously waiting to return to the story ever since.

Chase Novak's Breed from Mulholland is also pretty high on my must have list, as is Michael Koryta's latest, The Prophet. JK Rowling's adult debut is another one that BEA is apparently buzzing about and I'm dying to see what she has in store for us with The Casual Vacancy.

There are a ton of others, YA stuff like Danny Marks's Velveteen, Libba Bray's newest, The Diviners, and a whole slew of debuts. Jasper Fforde's The Last Dragonslayer is another must have on my list.

Frankly, if I were at BEA, I'd be like a kid in a freaking candy store and probably just as overwhelmed by the sheer mass of titles! My wishlist is a mile long and ever expanding!

The lovely Armchair BEA buttons I've been using were designed by Sarah of Puss Reboots (yesterday's button), Emily of Emily's Reading Room (today's button), and Nina of Nina Reads (sidebar button).

Thursday, April 5, 2012

Win a Copy of The Thirteen by Susie Moloney

I think I've expressed my love of witchy books here before, but I'll continue to do so as long as folks continue to write them. Like all books and all kinds of characters, there are so many different angles. Witches can be evil or altruistic, they can be manipulative and sneaky, or they can be mild tricksters. There's an array of possibilities. 

So what do you get when you combine Desperate Housewife-esque suburbanites with devil worshipping witchcraft? The Thirteen by Susie Moloney of course!

Paula's mother sent her away from Haven Woods over a decade ago. Now, broke and jobless, she and her twelve-year-old daughter have received word that Paula's mother is very sick. And so Paula drags her daughter back to her hometown for a visit. While there, Paula runs into some old acquaintances, including a possible new love interest. But Paula should beware Have Woods. Something dark has been waiting for Paula to return. Something that will put both her and her daughter in grave danger. 

Moloney has an interesting style, throwing in character's inner thoughts in between the regular narrative. It's an interesting layer added to the story itself even if it is used sparingly. It's an element that makes Moloney unique, at least in my reading experience. 

The Thirteen is dark and twisted indeed, but also has a sharp and sarcastic tone that makes it an utterly delicious read. And though this is not Moloney's debut, nor is it her first release stateside, it is my introduction to Moloney's work and I do hope that it will be the first of many new releases from her. In the meantime, I've got a backlist copy of The Dwelling currently waiting in my TBR stack. 

The Thirteen is out now in paperback.  

Ooh, ooh! I almost forgot. I have a copy of The Thirteen to give away! If you want to throw your name in the hat, leave me a comment below with a way to get in touch with you. I'll draw a name on April 30. (US only please)