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When Jeremy Cooke hears about Alice Salmon's tragic death, he is rocked to his core. Once upon a time, Cooke was very close to Alice's mother and felt a fond affinity for Alice as well. Her death can't be her end.
And so he begins collating material on Alice - Twitter feeds, Facebook posts, texts, journal entries... anything and everything he can lay his hands on pertaining to her life and experiences. A project forms, one with an anthropological basis - a map of Alice's life. But amazingly, what begins as a bit of an obsession and refusal to say goodbye soon transforms into an investigation that could shed light on Alice's final moments.
What She Left is a great example of storytelling through somewhat unique means. At heart, Alice's death is a mystery. But so is her life. Using letters, diary entries, and all sorts of electronic correspondence as the narrative thread, Richmond builds a tale that not only fills in the gaps of Alice's story, but of her mother's, her friends', and Cooke's as well.
The various pieces form chapters of a sort. Chapters that are short enough to keep the story moving at a fairly quick pace. And yet, though this is described as a thriller and though there is - as I mentioned - a mystery central to the story, the book doesn't really read like a thriller at all. Instead, it's a sort of cross between the aftermath of death and it's effects on the living and a commentary on social media and the electronic stamp one leaves behind these days. (As well as the notion that not all of a person's public facade can truly be trusted.)
Richmond's debut is a fascinating one that will appeal to readers who enjoy unreliable narrators, epistolary novels, and psychological suspense.
As a bonus, the publisher has put together two extras for readers: Alice's Facebook page and Professor Cooke's Tumblr.
What She Left is out now from Michael Joseph.
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