Good morning, readers. I'm a stop on the TLC tour for Oliver Harris's fabulous debut today!
Detective Nick Belsey is in a bit of trouble: he's broke and the creditors are lining up. He's got no place to live and he's just woken up bloody and bruised, laying in the grass. Nearby he finds a wrecked cop car (not even from his district) and no sign of his phone, wallet, or ID. Not to mention the fact that he has little to no memory of how he got here. It's a great way to start the day. When he arrives in the office he finds a missing persons notice on his desk. A wealthy businessman has disappeared. Belsey soon hatches a plan to get himself out of London. But as he learns more about the man, in an attempt to to steal his money, the detective gets roped into a case that's more twisted than he could have expected.
Oh, my. The Hollow Man was either the perfect read or just happened to hit me at the perfect time. I zipped through this much quicker than I'd expected. Belsey and his dirty, dirty ways captivated me. I mean here he is, his life is basically falling apart (all his fault) and he's digging the hole deeper -- all the while investigating a case that becomes more complicated with each new clue. And all for the sole purpose of ripping off a dead guy!
Belsey is a fascinating character. He's really not a good guy, but even in the midst of his worst plans he also comes across somehow as not being all that bad. He commands attention, to say the very least. While his motives are completely self serving, he's kind of a crazy great detective.
This is very much one of those books that should come with a warning. Something like: Warning -- you won't get anything done until you finish this book! Or maybe: Warning -- don't plan on sleeping tonight! Possibly even: Warning -- don't read on your lunch break, will cause compulsive and uncontrollable reading break urges!
The Hollow Man (along with Lynda La Plante's latest Anna Travis installment, Blood Line) just happens to be one of the inaugural titles in HarperCollins brand new Bourbon Street Books imprint. Considering how much I enjoyed Harris's debut, I have to say I'll definitely be looking into other Bourbon Street titles for sure.
To see the complete list of tour stops for both Hollow Man and Blood Line, visit the official TLC tour page here.
For more on Oliver Harris, check out his website here. You can also check out the first chapters of Hollow Man here and follow Harris on Twitter. And you can like Bourbon Street Books over on Facebook.
An ordinary man can... surround himself with two thousand books... and thenceforward have at least one place in the world in which it is possible to be happy. ~Augustine Birrell
Tuesday, November 20, 2012
Monday, November 19, 2012
The Scottish Witch Winner!
Good morning, all. The winner of Cathy Maxwell's Scottish Witch is:
Diane D.
Congrats, Diane! I've sent you an email this morning as well.
Thanks to everyone who stopped by.
Sunday, November 18, 2012
New releases 11/20/12
Pretty slim release list this week but here goes, some of the new titles hitting shelves this week are:
Notorious Nineteen by Janet Evanovich
Spirit's End by Rachel Aaron (Eli Monpress series)
The Forgotten by David Baldacci
Mannheim Rex by Robert Pobi
New on DVD:
The Expendables 2
New reviews at Bookbitch.com:
Luther: The Calling by Neil Cross
Fourth Grave Beneath My Feet by Darynda Jones
Notorious Nineteen by Janet Evanovich
Spirit's End by Rachel Aaron (Eli Monpress series)
The Forgotten by David Baldacci
Mannheim Rex by Robert Pobi
New on DVD:
The Expendables 2
New reviews at Bookbitch.com:
Luther: The Calling by Neil Cross
Fourth Grave Beneath My Feet by Darynda Jones
Friday, November 16, 2012
Luther: The Calling by Neil Cross
When audiences first met DCI John Luther in 2010, he was chasing someone down in an abandoned building. Meanwhile, his counterparts were frantically searching a house. We soon learned that Luther's perp was a kidnapper who'd sealed a child into a container with limited air and time was running out. The girl is found and Luther makes an agonizing decision -- not to save the perpetrator of such a heinous crime, but to let him fall to his death.
And thus begins episode one of season one of the BBC show, Luther.
John Luther is a troubled cop who doesn't always make the "right" decision, but he gets the job done. He's suspended after the events above and closely watched throughout both seasons 1 and 2 of the show -- surely the upcoming season 3 as well. But what brought him to this place?
Luther: The Calling is the new prequel book covering the case that ended in the beginning of the show.
Someone has brutally murdered a young couple in their home. What makes the case so much worse is the fact that the wife was expecting and the murderer took the child. The newborn's chances are slim and John Luther is on the case. As the police frantically hunt for the killer, Luther's wife is slipping away. Concern over her husband's state of mind and frustration about their relationship has backed her into a corner. Meanwhile, any waking moment Luther is not on the case, he's helping out a friend (Ian Reed) and an old man who's being harassed out of his home. Stress doesn't begin to describe it.
Author and show creator Neil Cross's complicated leading character is the guy you root for no matter what. You see his struggles with his decisions and you also begin to see how each bad decision will snowball for Luther.
Luther: The Calling is dark and graphic. Anyone familiar with the show knows this, but somehow seeing it in black and white -- letters on a crisp page -- it's even more brutal than the show. Course subject wise this one is rough as well. Much more so than the focus of either season so far.
A warning to anyone who has yet to watch the show: my recommendation is to read the book after having watched season 1. I know that seems backwards given the book is a prequel but some of the things introduced in the book tie in to things revealed in the first season. What are essentially massive bombshells in the show will lose their impact if you read the book first.
(As an aside, the book does stand on its own if you haven't watched the show and don't plan to.)
It's interesting to note that having been introduced to Idris Elba as Luther, he has become the character. It's impossible to read Luther: The Calling and not imagine Elba as the quick-tempered and worry plagued cop.
And for show fans (like me) who are itching for more, here's some interesting news about the fate of the show and a possible (crossing fingers!) spin off. And a little vid from BBC One:
(US viewers can apparently expect a new Neil Cross show on NBC soon as well.)
And thus begins episode one of season one of the BBC show, Luther.
John Luther is a troubled cop who doesn't always make the "right" decision, but he gets the job done. He's suspended after the events above and closely watched throughout both seasons 1 and 2 of the show -- surely the upcoming season 3 as well. But what brought him to this place?
Luther: The Calling is the new prequel book covering the case that ended in the beginning of the show.
Someone has brutally murdered a young couple in their home. What makes the case so much worse is the fact that the wife was expecting and the murderer took the child. The newborn's chances are slim and John Luther is on the case. As the police frantically hunt for the killer, Luther's wife is slipping away. Concern over her husband's state of mind and frustration about their relationship has backed her into a corner. Meanwhile, any waking moment Luther is not on the case, he's helping out a friend (Ian Reed) and an old man who's being harassed out of his home. Stress doesn't begin to describe it.
Author and show creator Neil Cross's complicated leading character is the guy you root for no matter what. You see his struggles with his decisions and you also begin to see how each bad decision will snowball for Luther.
Luther: The Calling is dark and graphic. Anyone familiar with the show knows this, but somehow seeing it in black and white -- letters on a crisp page -- it's even more brutal than the show. Course subject wise this one is rough as well. Much more so than the focus of either season so far.
A warning to anyone who has yet to watch the show: my recommendation is to read the book after having watched season 1. I know that seems backwards given the book is a prequel but some of the things introduced in the book tie in to things revealed in the first season. What are essentially massive bombshells in the show will lose their impact if you read the book first.
(As an aside, the book does stand on its own if you haven't watched the show and don't plan to.)
It's interesting to note that having been introduced to Idris Elba as Luther, he has become the character. It's impossible to read Luther: The Calling and not imagine Elba as the quick-tempered and worry plagued cop.
And for show fans (like me) who are itching for more, here's some interesting news about the fate of the show and a possible (crossing fingers!) spin off. And a little vid from BBC One:
(US viewers can apparently expect a new Neil Cross show on NBC soon as well.)
Thursday, November 15, 2012
Q&A with J.A. Souders
Morning, everyone! And a big welcome to J.A. Souders today!J.A. Souders is the author of the fabulous new teen dystopian release, Renegade.
Since the age of three, sixteen-year-old Evelyn Winters has believed that everything is just about flawless in in the underwater utopia known as Elysium. As the adopted Daughter of the People, she has been trained to take over by Mother, the community’s leader. Selected from hundreds of children for her ideal genes, all her life she’s believed that everything is perfect. Her world. Her people. The Law.
In Elysium, Evelyn and her fellow citizens have been to despise the vicious, immoral Surface Dweller. But when Gavin Hunter, a Surface Dweller, accidentally stumbles into Elysium’s secluded little world, Evelyn comes to a startling realization: Everything she knows is a lie.
Her memories have been altered.
Her mind and body aren’t under her own control.
And the person she knows as Mother is a monster.
Together with Gavin she plans her escape, only to learn that her own mind is a ticking time bomb...and Mother has one last secret that will destroy them all.
You can read my review here.

Now to the Q&A:
What’s your daily writing routine like?
My routine depends on where I'm at in the writing process. If I've already plotted out the story and I've set my playlist up already and I don't have any editing to do for other books, I start writing between 10am and 11am and I'll write at 1 hr intervals, writing as much as I can in that hour. Then I take a 1/2 hour break, and do it all again, writing in 1 hr bursts until I get in a minimum of 4,000 words for the day. Hopefully, I'll be done with that before lunch. After all that I spend some time on marketing. I usually stop after I get my daughter from school. Then it starts all over the next day.
Renegade has a quite unique setting. Your bio info and interest in SeaQuest definitely explains some of that but I wondered if your time in the Navy inspired any parts of Renegade?
I'd be lying if I said no. A lot of my time in the Navy seeped into parts of Renegade. Mainly the ideas for how the city would run self-sufficiently and how rationing and cleaniness, etc would work.
What else inspires you -- either in general or in writing Renegade in particular?
Music is a huge inspiration. I listen to it all the time and certain scenes just jump into my head because of a song. Sometimes movies can provide inspiration, even a conversation with someone can make the inspiration wheels spin madly.
You’ve mentioned SeaQuest and Christopher Pike as likes and semi-influences on your site and in other interviews, it sounds like we grew up around the same time. Any other 90s era gems you feel you should recommend to today’s teens who might be missing out on all that fun?
Saturday morning cartoons. The "old-school" ones. Now days everyone can watch whatever they want, whenever they want. I know cartoons are for "kids," but I'm an avid cartoon watcher and I miss the "old-school" ones that were only found on Saturday mornings. There was just something exciting about waking up early on Saturdays before your parents were up and watching the cartoons. :)
What’s in your TBR?
Ha! THAT list is entirely too long to list, so I'll just choose a few at random. Stormdancer by Jay Kristoff, Catching Jordan by Miranda Kenneally, Perfection by J.L. Spelbring
Any advice for aspiring young writers today?
Keep writing and keep reading. No matter what obstacles you encounter, just keep moving forward.
What are you working on now? Will you be returning to Elysium for another book?
Well, I'm working on book 3 of the Elysium Chronicles, but that's all I can say without spoiling anything. ; )
Woohoo! I'll be first in line to get books two and three of the series for sure! A big, big thanks to J.A. Souders for being on the blog today and an equally big thanks to Tor for inviting me to host. Renegade is out now and I definitely recommend tracking down a copy for your TBR stack.
Tuesday, November 13, 2012
Giveaway -- The Walking Dead: Rise of the Governor and Road to Woodbury


Fabulous news, Walking Dead fans. Thanks to the folks at Wunderkind and Thomas Dunne, I'm hosting a Walking Dead giveaway!
One lucky winner will get one copy of each of the new Walking Dead novels: The Rise of the Governor and The Road to Woodbury by Robert Kirkman and Jay Bonansinga. Giveaway dets are at the bottom of this post.
These are the first two in a three book series. Here's more info from the publisher's page:
From the mind of Robert Kirkman, the legendary comic book auteur and creator of The Walking Dead, comes a new series of all-original novels steeped in the terrifying mythos of the Eisner Award winning comic. Co-written with bestselling novelist and Stoker Award finalist Jay Bonansinga, the books thrust readers right into the middle of the greatest zombie apocalypse epic ever told.
The first volume, THE WALKING DEAD: RISE OF THE GOVERNOR, explores the heart-wrenching and horrifying origin of the comic world’s most infamous villain: Philip Blake, AKA The Governor. Following Blake and his ragtag band of survivors as they carve out a terrifying path through infested subdivisions and rotting cities, RISE OF THE GOVERNOR is a fever dream of a road trip that explores the making of a super-villain, culminating in a mind-bending twist-ending.
The second volume in the series, THE WALKING DEAD: THE ROAD TO WOODBURY, (nearing completion at press time) delves even deeper into the dark heart of the Governor, taking readers through the fractured looking glass of a small town turned into a deadly dictatorship. As seen through the eyes of a troubled bystander, Lilly Caul, this rotting utopia crumbles under the weight of its own excesses and lurid pastimes...
And, to give you a little taste, I've got a bit of an excerpt here for you as well:
ONE
No one in the clearing hears the biters coming through the
high trees.
The metallic ringing noises of tent
stakes going into the cold, stubborn Georgia clay drown the distant footsteps—
the intruders still a good five hundred yards off in the shadows of neighboring
pines. No one hears the twigs snapping under the north wind, or the telltale
guttural moaning noises, as faint as loons behind the treetops. No one detects
the trace odors of putrid meat and black mold marinating in feces. The tang of
autumn wood smoke and rotting fruit on the midafternoon breeze masks the smell
of the walking dead.
In fact, for quite a while, not a
single one of the settlers in the burgeoning encampment registers any imminent
danger whatsoever—most of the survivors now busily heaving up support beams
hewn from found objects such as railroad ties, telephone poles, and rusty
lengths of rebar.
“Pathetic . . . look at me,” the
slender young woman in the ponytail comments with an exasperated groan,
crouching awkwardly by a square of paint- spattered tent canvas folded on the
ground over by the northwest corner of the lot. She shivers in her bulky
Georgia Tech sweatshirt, antique jewelry, and ripped jeans. Ruddy and freckled,
with long, deep-brown hair that dangles in tendrils wound with delicate little
feathers, Lilly Caul is a bundle of nervous tics, from the constant yanking of
stray wisps of hair back behind her ears to the compulsive gnawing of
fingernails. Now, with her small hand she clutches the hammer tighter and
repeatedly whacks at the metal stake, grazing the head as if the thing is
greased.
“It’s okay, Lilly, just relax,” the
big man says, looking on from behind her.
“A two- year- old could do this.”
“Stop beating yourself up.”
“It’s not me I want to beat up.”
She pounds some more, twohanding the hammer. The stake goes nowhere. “It’s this
stupid stake.”
“You’re choked up too high on the
hammer.”
“I’m what?”
“Move your hand more toward the end
of the handle, let the tool do the work.”
More pounding.
The stake jumps off hard ground,
goes flying, and lands ten feet away.
“Damn it! Damn it!” Lilly hits the
ground with the hammer, looks down and exhales.
“You’re doing fine, babygirl, lemme
show you.”
The big man moves in next to her,
kneels, and starts to gently take the hammer from her. Lilly recoils, refusing
to hand over the implement. “Give me a second, okay? I can handle this, I can,”
she insists, her narrow shoulders tensing under the sweatshirt.
She grabs another stake and starts
again, tapping the metal crown tentatively. The ground resists, as tough as
cement. It’s been a cold October so far, and the fallow fields south of Atlanta
have hardened. Not that this is a bad thing. The tough clay is also porous and
dry—for the moment at least—hence the decision to pitch camp here. Winter’s
coming, and this contingent has been regrouping here for over a week, settling
in, recharging, rethinking their futures—if indeed they have any futures.
“You kinda just let the head fall
on it,” the burly African-American demonstrates next to her, making swinging
motions with his enormous arm. His huge hands look as though they could cover
her entire head. “Use gravity and the weight of the hammer.”
It takes a great deal of conscious
effort for Lilly not to stare at the black man’s arm as it pistons up and down.
Even crouching in his sleeveless denim shirt and ratty down vest, Josh Lee
Hamilton cuts an imposing figure. Built like an NFL tackle, with monolithic
shoulders, enormous tree-trunk thighs, and thick neck, he still manages to
carry himself quite gently. His sad, long-lashed eyes and his deferential brow,
which perpetually creases the front of his balding pate, give off an air of
unexpected tenderness. “No big deal . . . see?” He shows her again and his
tattooed bicep—as big as a pig’s belly—jumps as he wields the imaginary hammer.
“See what I’m sayin’?”
Lilly discreetly looks away from
Josh’s rippling arm. She feels a faint frisson of guilt every time she notices
his muscles, his tapered back, his broad shoulders. Despite the amount of time
they have been spending together in this hell- on- earth some Georgians are
calling “the Turn,” Lilly has scrupulously avoided crossing any intimate
boundaries with Josh. Best to keep it platonic, brother-and-sister, best buds,
nothing more. Best to keep it strictly business . . . especially in the midst
of this plague.
But that has not stopped Lilly from
giving the big man coy little sidelong grins when he calls her “girlfriend” or “babydoll”
. . . or making sure he gets a glimpse of the Chinese character tattooed above
Lilly’s tailbone at night when she’s settling into her sleeping bag. Is she
leading him on? Is she manipulating him for protection? The rhetorical
questions remain unanswered.
For Lilly the embers of fear
constantly smoldering in her gut have cauterized all ethical issues and nuances
of social behavior. In fact, fear has dogged her off and on for most her life—she
developed an ulcer in high school, and had to be on antianxiety meds during her
aborted tenure at Georgia Tech—but now it simmers constantly inside her. The
fear poisons her sleep, clouds her thoughts, presses in on her heart. The fear
makes her do things.
She seizes the hammer so tightly
now it makes the veins twitch in her wrist.
“It’s not rocket science
ferchrissake!” she barks, and finally gets control of the hammer and drives a
stake into the ground through sheer rage. She grabs another stake. She moves to
the opposite corner of the canvas, and then wills the metal bit straight
through the fabric and into the ground by pounding madly, wildly, missing as
many blows as she connects. Sweat breaks out on her neck and brow. She pounds
and pounds. She loses herself for a moment.
At last she pauses, exhausted,
breathing hard, greasy with perspiration.
“Okay . . . that’s one way to do
it,” Josh says softly, rising to his feet, a smirk on his chiseled brown face
as he regards the half-dozen stakes pinning the canvas to the ground. Lilly
says nothing.
The zombies, coming undetected
through the trees to the north, are now less than five minutes away.
Good luck!
Monday, November 12, 2012
Ironskin Winner
By random number generator, the Ironskin winner is:
Margay
Congrats, Margay! I'll be sending you an email shortly.
Thanks to everyone else who stopped by and entered. Happy reading!
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